The journal

Guides to the world’s finest fabrics.

Short, practical notes on menswear fabrics — written to answer the questions tailors and their clients actually ask.

With trousers, the fabric is half the game. These are the six we keep coming back to.
With an ivory jacket the fabric makes the jacket. Here is the one we would use.
Crisp, breathable, and back in shape on the hanger. Three we recommend from VBC and Cerruti.
There is a lot to choose from with jacketing. These are the collections worth exploring.
Cashmere, silk and linen at just 180g. Soft and light enough to wear all year round.
Higher silk content than most collections, and in our view better than some far more famous names.
Linings, pockets, lapels. Most of it is secondary to getting the fabric right.
The Super number only tells you about the fibre. Two Super 110's can feel completely different.
Two collections we would recommend for a first suit, and why they are worth the money.
There are endless brands and collections. Start with three names and it gets much simpler.
A strong, hard-wearing fabric with a rustic look. This is one that gets noticed.
It is 420g, but the open weave means it does not wear like it. A favourite for suits and trousers.
Two houses that make nothing but shirting. Thomas Mason since 1796, Albini since 1876.
If you do not recognise the name on the label, these are three questions worth asking.
Irish linen has more body than Italian linen. That is what gives it the drape.
100% baby camel hair, with a creamy undertone you will not find in wool.
We talk a lot about fabric on here, so it is probably time we introduced ourselves.
Not all blacks are the same. Here are seven from VBC and what each one is good for.